Cultural Intermediaries, Professional Territories, and Collective Mobilizations in the Art World

Cultural Intermediaries, Professional Territories, and Collective Mobilizations in the Art World
No 243, 2013/2 - 156 pages
Pages 3 to 7

Cultural Intermediaries and Mobilizations in the Art World

By Olivier Roueff, Séverine Sofio
Pages 9 to 18

The Organization of Musicians in 19th-Century Britain: Towards a New Definition of the Profession

By Angèle David-Guillou
Pages 19 to 30

Show Business Unions and Bookings in the Interwar Period

By Vincent Cardon, Mathieu Grégoire
Pages 31 to 40

Portrait of a Public Service as Intermediary: The ANPE Spectacle of Paris

By Luc Sigalo Santos
Pages 41 to 51

The Social Construction of a Profession: Art Agents

By Delphine Naudier
Pages 53 to 65

Art Dealers’ Professional Associations after 1945: Lobbying and Modernization in Paris and New York

By Julie Verlaine
Pages 67 to 77

The SYNDEAC, Mirror and Engine of Transformations in the Theater World

By Marjorie Glas
Pages 79 to 89

Representing Contemporary Art Exhibition Curators: An Impossible Collective Mediation?

By Laurent Jeanpierre, Isabelle Mayaud, Séverine Sofio
Pages 91 to 103

The International Federation of Film Producers’ Associations: A Controversial Actor in the Promotion of Cinema after 1945

By Caroline Moine
Pages 105 to 116

Considering the Role of International Fairs on the Globalization of Publishing

By Hervé Serry, Josée Vincent
Pages 117 to 141

Review

Pages 143 to 147

News and Initiatives