Writing differently?

Social history searching for its audience

No 269-270, 2019/4 - pages

Pages 3 to 3

1960-2020: Sixty years of social history. A letter to our readers

Pages 5 to 45

Alternative writing: Making history “outside the city walls”?

By Axelle Brodiez-Dolino, Émilien Ruiz

Pages 47 to 65

Writing history in pictures. Historians and the comic book temptation

By Sylvain Lesage

Pages 67 to 83

Setting the scene for a social science enquiry: The forms and stakes of promoting research artistically

By Odile Macchi

Pages 85 to 100

“There is the quarry.” Theoretical and practical obstacles for the historian as writer

By Sylvain Pattieu

Pages 101 to 116

Sous l’œil des Houillères. Looking back at a documentary filmmaking experience

By Marion Fontaine

Pages 117 to 132

Hearing history to understand how it is made: From sound bubbles to the “passe-ici.fr” web app

By Isabelle Backouche, Sarah Gensburger

Pages 133 to 148

The research blog: A new tool for writing history of the present-time

By Malika Rahal

Pages 149 to 164

Writing for the (general) public without renouncing one’s peers: Three online journal experiments

By interview conducted by Axelle Brodiez-Dolino, and Émilien Ruiz, interview with Nicolas Delalande, Emmanuel Bellanger, Charlotte Vorms, and Sébastien Poublanc

Pages 165 to 183

The French, the memory of the Great War, and its centenary

By Antoine Prost

Pages 185 to 230

People’s history in France: A branding strategy, or a new kind of social history?

By Émilien Ruiz

Pages 231 to 280

A different kind of social history